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ALIVE MAGAZINE
2005
  Antakya Mosaic Staring at Reyhanlı Kilim
  Reaching out for Divine Love
  From the Trojan Horse to the Carpets of Ayvacık
  Eye on the Fingertip
  Keep It the way You Keep Your Heart
  Apricot Scented Carpets
  The Heavenly Throne
  Saadlebags, Sacks, Stacks
  Weaving that Speak to the Mountain Winds
  Smal Carpets, Big Effort
  Palace Carpets
  To Be Or Not to Be
   
2004
  Message of the Chairman
  The Town of the Flying Carpets: Hereke
  Love Story
  Anatolian Kilim Exhbition
  Dösemealti Carpets
  Training Program for Computer - Aided Designing of Carpet Figures
  Our Rising Trend: Machine Made Carpeting
  Carpet Doctors
   
2003
  Carpet Restoration
  Flatwoven Textile of Anatolia
  Kilims: A Cultural Heritage
  The Language of Motifs
  Antique carpets move to Stage Center
   

 

Reaching out for Divine Love

In the Anatolian land the sound of the ney flute is believed to come from the weeping of canes, for they have failed to keep the secrets given to them, revealed them into the wells, and are deeply remorseful about it. In this universe where everything rotates, the semazens who keep seeking true love rotating around themselves reach God in the company of the magical tunes played by the ney flute.

 

According to Mevlana performing the sema ritual with the ney tunes in an attempt to reach true love which is the love of God, the divine love is the only remedy that makes one a real human and rescues one from greed, arrogance, existence, and the sense of selfishness.

 

Mevlana addresses everyone and everything with an attitude completely free of religious and racial distinctions. Coming from the mountains of Horasan in the 13th century to settle in Konya, this Easterner person who loved God, truth, people, and nature did a lot of thinking, and while doing that, he positively founded the Westerner philosophical systems of today, becoming the second greatest name of the movement of existentialism initiated by Heraklitos.  

Although records show his date of birth as September 30, 1207, Mevlana Celaleddin is estimated to have been born about ten years before this date. He moved with his father, Bahaeddin Veled, to Konya in his thirties. After he lost his father, he went to the cities of Haleb and šam for education in theological schools. When he was in his fifties, he met šems of Tebriz, a mature and tough fellow who traveled a lot, not in dervish lodges and theological scoolyards, but around caravanserais and inns. šems had given up looking for wisdom inside the books, and he was capable of going through thirty or forty days “without a single morsel to put in his mouth” pursuing to learn in detail the life and experiences of the Prophet. According to him, the “divine love of God” could not be found in books, dervish lodges, and theological schools. While performing the rotations of sema with his arms open wide, he would send his soul forward to leave his body advance along to reach God. He had seized the very mystical spirit. When he arrived in Konya he felt he had found his soul mate in Mevlana, and Mevlana felt he had come accross the guard sent for him from the Seventh Heaven. From then on changes could be seen in Mevlana who formerly used to be a solemn sheikh who worshipped, taught in a theological school, preached in a mosque, and had people kissing his hand and seeking his prayers. Music and sema replaced the lessons and preachings. Complaining formerly of inability to reach God, Mevlana now found God everywhere he looked with the help and support of šems. His poems grew more enthusiastic, overflowing religious boundaries. After a while, when šems felt compelled to set out on the roads of the world again, Mevlana wrote the bitterest among his famous quatrains dedicated to divine love. The Great Collection that he dedicated to šems was thus accumulated. While writing the Mesnevi, his greatest work, he aimed to enlighten people and show them the right way. When he finished his Mesnevi, Mevlana had arrived in his eighties and his exhausted body was grappling with sickness.

 

 

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