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ALIVE MAGAZINE
2005
  Antakya Mosaic Staring at Reyhanlı Kilim
  Reaching out for Divine Love
  From the Trojan Horse to the Carpets of Ayvacık
  Eye on the Fingertip
  Keep It the way You Keep Your Heart
  Apricot Scented Carpets
  The Heavenly Throne
  Saadlebags, Sacks, Stacks
  Weaving that Speak to the Mountain Winds
  Smal Carpets, Big Effort
  Palace Carpets
  To Be Or Not to Be
   
2004
  Message of the Chairman
  The Town of the Flying Carpets: Hereke
  Love Story
  Anatolian Kilim Exhbition
  Dösemealti Carpets
  Training Program for Computer - Aided Designing of Carpet Figures
  Our Rising Trend: Machine Made Carpeting
  Carpet Doctors
   
2003
  Carpet Restoration
  Flatwoven Textile of Anatolia
  Kilims: A Cultural Heritage
  The Language of Motifs
  Antique carpets move to Stage Center
   

 

Palace Carpets

 

The Ottoman empire has been ruled from three cities in its history. The first capital was Bursa where the Ottoman state was first founded, and the second capital was Edirne. After that the capital was moved to ‹stanbul where the administrative center of the state was transferred from one palace to another along with the sultans. The first palace built right after the conquest of ‹stanbul was the “Eski Saray” (=“The Old Palace”). This one was followed by the palaces of Topkap›, Eski Ǜragan, Besiktas Coast, and the Eski Beylerbeyi. The administration was finally transferred to the palace of Dolmabahçe built by Padisah Abdülmecit in 1856, moved to the Y›ld›z palace in 1877, and brought for the last time back to its former home of Dolmabahçe palace 32 years later.

 

When the dried yellow, red, brown leaves of autumn make cracking noises under my feet, I feel like it’s time to visit these magnificent places in ‹stanbul, the city of palaces. Among the palaces that enhance the wonderful beauty of the Bosphorus with their mighty splendour, let us go through the gates of two of them, the palaces of Dolmabahçe and Beylerbeyi. Let’s climb their stairs and see where precious carpets on their floors, the mirrors on their walls, the carved ornamentations on their ceilings, the consoles, armchairs, tables, candelabrums, and the crystal chandeliers are going to take us.

 

One of the favorite gardens of the sultans in Bogaziçi in the 17th century, the Dolmabahçe garden had been used as a part of the Besiktas Coast Palace. The building was pulled down during the reign of Sultan Abdülmecid (1839-1861) for being wooden and impractical, and it was replaced by the palace of Dolmabahçe that survived until today, its building process completed in 13 years. The main structure of the palace consisted of the Mabeyn-i Hümâyûn (Selâml›k) where administrative processes of the state were carried out, the Muayede Salonu (=Chamber of Ceremonies) where important ceremonies of the state were held and the Sultan exchanged good wishes for bairams, and the Harem-i Hümâyûn which was dedicated for the private life of the Sultan and his family.

 

The palace has 16 other partitions except the main buildings, and all of these occupy a total area of over 110.000 m2. A Clock Tower and the Hareket Mansions in the backyard of Prince’s Chambers have been added later to these annexes which served as stables, windmills, pharmacies, kitchens, aviaries, a workshop for glass-making, a foundry, and a confectionery.

 

The palace of Dolmabahçe on the European bank of the Bosphorus has been the third largest palace of the Ottoman sultans in ‹stanbul. This palace perfectly reflects architecturally the cultural structure and the social and artistic influences of the era. While touring its Hasbahçe (=most favorite garden) and the 600 meters long shoreline, one is accompanied by the seagulls playing with the surf, the steamers on the Bosphorus, and the fishermen’s boats. The palace has 3 storeys and a symmetrical building plan, and it includes 285 rooms, 43 guest chambers, 6 bathing chambers, and 68 lavatories. A most prominent characteristic of the palace is the abundant use of crystal including the 36 crystal chandeliers, candelabra, some of the fireplaces, staircases, and all of the mirrors. A crystal chandelier with a height of 36 meters and weight of 4.5 tons decorates the ceiling of the ballroom. This is the largest ballroom among all the palace ballrooms in the world. The interior decoration of the Dolmabahçe palace the wealth and splendour of which is thoroughly unequalled has survived until today with its furniture, silken and woollen carpets, curtains, all other artifacts, and the memories of those days. The armchairs where the Sultan used to sit, the woollen carpets over which the princes rolled and played, the silken carpets that decorated the rooms of concubines in the harem or the chambers of a sultan, the large tables on which the “padisah” affixed his signature, the tiled stoves of startling beauty, the crystal candeliers with tons of weight, the candelabra, the clocks, and everything else is still intact in its rightful place.

 

Golden ornamentations with tons of weight adorn the walls and ceilings as depicted in the pictures made by European painters. All floors are covered with wooden parquets with various patterns of geometrical shapes or plant motifs. 142 carpets and 115 prayer rugs of a total area of 4454 m2, woven first in the weaving room of the palace and then in Hereke are spread over these parquets. There are also a few among them woven in Kayseri, Usak, and Iran.

 

Valuable carpets...

The Ottoman state had become a rich and prosperous empire in the 16th century. The carpets woven in this period are known as the Classical Carpets of the Ottoman Era, and those woven around the palace are called the Palace Carpets. Their warp and weft yarns are of silk, wool, and cotton while their knots are tied with wool and cotton, and they have been woven with knots of Iranian style. It is possible to see every color in these carpets of pastel shades. Especially red, yellow, dark blue and grass green are used. ‹ranian influence was prominent upon the colors and patterns at first, but in time a more authentic style inspired by Ottoman ornamentations were assumed. Blooming roses, dagger leaves, spring flowered branches, tulips, carnations and hyacinths, and cloud motifs are the most prominent patterns. Some

 

 

carpets have enough abundance of flowers in their backgrounds to make a flower garden jealous while others have just a single coloured layer as background. The borders exhibit cloud patterns and the motifs that adorn the background. The cloud patterns are a reference to rain and they symbolize fertility. The medallions that are the main elements of Iranian carpets look like they have just been sprinkled over the other motifs on the Palace Carpets. These medallions look like they could leave the premises at any moment, but they do not disrupt the pattern in general.

 

Although it was built after the example of European palaces, the “Harem” part is pointedly kept aloof in the palace of Dolmabahçe. Unlike the structure in the palace of Topkap›, the Harem here is no longer a building set totally apart from the main body, but it is a special reservation of living quarters under the same roof. In the Harem Quarters that constitutes approximately two thirds of the Dolmabahçe palace, the entrance is made through corridors with gates of iron and wood from the ‘Lounge of Mabeyn and Muayede’, the general setting exhibiting clearly the traditional distinction. The salons overlooking the Bosphorus; the bedrooms of the sultans, of their wives, and of the princes; the study rooms and restrooms, the concubines’ chambers, the Kad›nefendi (=women’s master) rooms, and the artifacts, carpets and works of art that render all these even more valuable are aspects that draw attention upon harems in general. Atatürk’s bedroom and study are also in the Harem department.  

 

When you stand on the shoreline of the Dolmabahçe palace and look accross northwards at the opposite bank, you will see the palace of Beylerbeyi. One of the favorites used by the sultans of the Ottoman empire especially in the 17th century and at the beginning of the 18th century, this palace had lost its significance for a short while, but after that it became a frequented site of administration in the 19th century after the Topkap› palace. Used mostly as a summer residence, the palace of Beylerbeyi was equipped with every utility to ensure peace. Cypress and orange trees, lemon orchards, fountained pools with swimming fish and swans, paths paved with sprinkled seashells, mansions, and terraces were built. The fire incidents of the era caused great damage in ‹stanbul where nearly all structures were made of wood, but life just kept going each time with the city re-erected right over the ashes. The parts destroyed by the fire in Beylerbeyi in 1851 were repaired and became available again in 3 years. The construction of the palace under Sultan Abdülaziz was completed in 1864. The Set Gardens are among the most important aspects of the palace. Built in the form of terraces going upwards from the shore, the gardens were tended and organized by gardeners from abroad.

 

The palace complex consists of the main structure of Beylerbeyi, the seaside mansions of a ‘harem’ and a ‘selaml›k’ taking place in each corner of the wall next to the shore, and the Marble Mansion, the Yellow Mansion and the Hasah›r on the courtyard to the back. Among these, the seaside mansions and the main building of the Beylerbeyi Palace have been erected by Sultan Abdülaziz. The rest of the structures belong to the former palace that used to be here. The Beylerbeyi palace has two stone-built storeys sitting on a high basement. The face overlooking the Bosphorus is 65 meters long, and the structure has 6 halls and 24 rooms. Especially the Pooled Hall and the Blue Hall which takes its name from the color of its pillars are the most magnificent places in the palace.

 

 

 

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